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  Pammakaristos Church

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Pammakaristos Church
The Pammakaristos was either built or renovated to a large extent by Michael Tarchaniotes Glabas, protostrator of Andronicus II Palaeologus (1282-1328). Many historians and archaeologists, however, believe that the original structure was older and some attribute it to Michael VII Ducas (1071-1078). What is certain is that Tarchaniotes was the founder of the elegant parecclesion added to the south side of the church. It has also been suggested that the original building was erected in the 8th century (Mamboury). In earlier times there was a fragmentary inscription in the sanctuary, reading "Iwannou frontisma" ("taken care of by John"), but no one has been able to discover to whom it refers. George Pachymeres writing on Tarchaniotes remarks that the Pammakaristos was "his own monastery".
Historical evidence reveals the importance of this religious centre, which housed the Ecumenical Patriarchate from 1456 to 1587.The Pammakaristos remained in the hands of the Orthodox Greeks even after the Conquest. It is believed that the famous meeting between the Patriarch Gennadius Scholarius and Mehmet 11 the Conqueror and their discussion on questions of religion, took place here. When, three years after the Fall of Constantinople, the Patriarchate was shifted from the Holy Apostles to the Pammakaristos (1456), the holy relics and other valuable possessions were transferred to the new see.
In the third patriarchy of Simeon I of Trebizond (1466, 1471-74, 1481-86), the local Synod denouncing the "pseudo-union" of Florence and regulating relations between the Orthodox and Roman Catholic Churches was convened in the Pammakaristos. Many travellers and scholars who visited Constantinople after the Conquest described with admiration the patriarchal church of the Pammakaristos . In 1587, Sultan Murad III (1574-1592), converted the church of St. Mary Pammakaristos into a mosque and called it Fethiye (= Victory) Camii, to commemorate the conquest of Georgia and Azerbaijan.
The Patriarchate and its sacred relics and vessels were then transferred in haste to the church of the Theotokos Paramythia.The monastic complex of the Pammakaristos was composed of two churches, built at the north side of a walled enclosure. A number of ancillary buildings (cells, halls, offices, etc.) completed the compound. Within this enclosure, the katholikon and the parecclesion have survived to this day. The church is laid out on the ambulatory plan with arcades enveloping and communicating with the three aisles to the north, west and south, and two narthexes to the west. The exonarthex and north perambulatory are barrel-vaulted. Four piers support the dome of the centre bay. The apse to the east was destroyed when the church was turned into a mosque in the years between 1587-1591.
The parecclesion, founded by Tarchaniotes and consecrated to Christ, was built to the SE of the church. Its architecture and mural decoration are of great interest. The correct and elegant proportions, the fine walling with the ornamental toothed bands, the slender shallow niches and wide blind arches pierced by single or triple lights, and the two elegant domes make it one of the most important examples of ecclesiastical architecture in the 13th century. The chapel is of the four column type with dome and has three apses to the east of the nave. A long band on the outer surface of the south wall is inscribed in calligraphic relief lettering with an epigram by the well-known poet of the times Emmanuel Philes (1275-1345). This epigram expresses the grief of Maria Ducaina (as the nun Martha) for the death of her husband Michael Tarchaniotes.

The latter is known to have retired to the monastery where he died in 1306. The decoration of the parecclesion was completed by his wife. The surviving mosaics, cleaned and restored by the Byzantine Institute of America headed by P. Underwood, formed part of the iconographic programme. In the conch of the apse Christ Hyperagathos is portrayed seated on a backless throne, holding a closed Book of Gospels in the left hand and raising the right in benediction. To the left and right, the full-length figures of the Holy Virgin and St. John the Baptist are shown turning towards Christ in veneration. The Deesis is flanked by the Archangels Michael and Gabriel.
In the dome the central medallion with the half length portrait of Christ Pantocrator in attitude of benediction is surrounded by twelve Prophets (Moses, Jeremiah, Zephaniah, Micah, Joel,
   
Zachariah, Obadiah, Habakkuk, Jonah, Malachi, Ezekiel, Isaiah). Only the Baptism has survived from the scenes of the Twelve Feasts cycle, while the walls, arches and soffits are decorated with portrayals of saints and hierarchs. A conch of the narthex has preserved a wall painting of the Three Magi offering their gifts. We also know from written sources that there were portraits of Tarchaniotes and his wife in the funerary chapel. Though severely damaged, the surviving mosaics reflect the brilliance and high quality the remarkable style and technique, the classicizing trends, and in general the culture and spirit of the Palaeologan Revival.
 
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